Message: INSIDE THE CONCERT HALL
Seraphin through Rosie, 8th February 2011

R: Dearest Seraphin, I have just been listening to a piece of meditative music – Sufi in origin, I think. It starts with a single low note which continues for twenty minutes. After a while, it is possible to discern that this is not one note but three notes, forming a minor chord. It sounds like a very deep undercurrent, strong and eternal in its direction and purpose. For me, this could be the underlying omnipresent force of divine creation. If we do not listen carefully, distracted by confusion on the surface, it can be overlooked, but it is always there.

In this piece, the chord is later joined by a few, intermittent plucks of a stringed instrument, almost like rain falling. These gradually increase in number and intensity, but they always harmonise with the original chord. For me, this sounds like the awakening of souls in tune with the sound of universal harmony.

The third element to appear is the rhythmical beating of drums. This appears to increase the pace of the music and provide additional structure, but actually nothing regarding the other two elements has changed. For me, this suggests the perceived acceleration of critical events surfacing consciously in our reality, whereas they have actually always been guided by a deep undercurrent. Through our own increased awareness, they are now simply becoming more visible and more comprehensible.

S: Yes, Dearest, the pace of change is now fast and furious. The few initial raindrops have now convened to form a storm so furious that we suddenly have to jump and change, adjusting our plans to accommodate them to our best advantage, and still the underlying heart of our mission beats regularly, with sublime peace, knowing its destination, (And if you tap into this deeper level, you will experience this peace also) undeterred by delays or hiccoughs, since the outcome is already determined. We are single-minded in our purpose: TO SUPPORT AND FOSTER ALL SOULS ON THEIR WAY THROUGH THE ASCENSION PROCESS SO THAT THEY TOO CAN ONE DAY MERGE WITH THE INFINITE DIVINE CHORD, IN TURN ACTING AS A STABLE, SUPPORTIVE UNDERCURRENT FOR THOSE WHO FOLLOW.

While the future of this planet will see a division of souls, and while it may seem to appear that this is an event of incomparable proportion and separation, it must be seen in a larger context - as a temporary parting of ways on an eternal journey, where paths criss-cross endlessly on many levels, to arrive at a place of harmony and integration. 

Music is a fantastic method of expression for this process. The key and timing of the orchestral piece has been determined. The grand celestial accompanist provides the basic structure from the beginning to the end. YOU ARE THE SOLOISTS, THE IMPROVISORS, THE ONES WHO DECIDE TO PLAY TOGETHER WITH ACUTE ATTENTION AND SYNCHONICITY, OR WHO WAIT IN THE WINGS: THE ONES WHO SING OR THE ONES WHO PREFER TO USE INSTRUMENTS TO CONVEY YOUR VOICE: THE ONES WHO PARTAKE OR THE ONES WHO LISTEN. And some will listen avidly, feeling every vibration. Others will partially absorb or reject. And then, of course, there are those who have not even entered the concert hall.

And I ask you: WHAT IS YOUR ROLE? PLAYING OR LISTENING? ARE YOU READY FOR THE ORCHESTRA TO START? ARE YOU IN THE AUDIENCE, IN A MODE OF CRITICAL APPRAISAL, IN A MODE OF WISHING TO BE DISTRACTED, IN A MODE OF UNBEARABLE BREATHLESS ANTICIPATION? ARE YOU EXPECTING TO BE BORED OR ENTERTAINED OR INSTRUCTED? ARE YOUR EARS FINELY ATTUNED TO EVERY NUANCE WHICH COMES YOUR WAY, KNOWING THAT YOUR INTERPRETATION IS YOUR INTERPRETATION, WATCHING WHAT EFFECT IT HAS ON YOU OWN EMOTIONAL STRINGS. Consider this, because the orchestra is playing for you. Without you, there would be no reason to play, other than for the pure pleasure of the player.

Or are you in the orchestra staff, conducting essential duties like putting out chairs and music scores, or tuning the piano? Will you clap when the musicians appear, or are you so engrossed in a conversation with your neighbour that you fail to notice when they walk onto the stage? Do you judge them by their fame, their description on the printed programme, by their appearance? Or do you close your eyes and concentrate on the subtle message of the music they play?

And I say, the music has already been playing for millennia, and the population of this earth is only just beginning to participate, appreciate and listen. The depth and beauty of this divine harmony will startle you, as it will surpass anything previously experienced or imagined. Take heart dearest children, and know that the tune of the mighty orchestra will reach all ears which long for the sound.