From AbundantHope.net

Political Information
The Oligarchy - The Black Nobility - The Illuminati - The Synarchy
By Lindon La Rouche - Sanchuniathon & Ors with comments by Ron
Feb 23, 2019 - 4:48:26 PM

This 3 hr. 6' 31" video was published by Sanchuniathon on Nov 26, 2016: https://www.youtube.com/watch?v=mWSQr0lFrq4

Ron: This is a very interesting video. The first 39 minutes gives a truncated potted history of the progress of Rome and its Empire and its collapse. Apparently Emperor Diocletion's "Reforms" were extremely onerous taxationwise and their tyrannical enforcement resulting in the slow disintegration of the Empire's social cohesion. Moreover, forcing the middle class to be responsible for excessive  taxation and the creation of a mandatory hereditary guilds system resulted in the birth of feudalism and the collapse of the Roman Empire.

From the 39 minute mark on, there is some discussion of how the Black Nobility developed the Venetian Empire which morphed into the draconian financial oligarchic power structure that controls the global matrix today. This is compulsory material for anyone wanting to understand the insane monetary control mechanisms that Presidents Trump, Putin, Xi and others are actively deactivating today.

Although the Black Nobility apparently emerged from Roman financial oligarchic sources, those antecedents appear to have had Babylonian, Canaanite and Phonecian roots. The Venetians preference for the Venetian island site and their expertise in sea fareing apparently arose from Canaanite origins in Tyre in Palestine.

Lyndon La Rouche: '...most of the assassinations in the world are run by these financial agencies. They kill... and that's what the problem is. People are afraid of them. Again... if you dont have a sense of immortality, an immortal interest in your life, you don't have the source of courage to make the kinds of decisions that challenge power, evil like that.* What they typify ... is satan.... This is the evil. And people are afraid to stand up against evil.

*Ron:  Presumably this why the Pharisees sought to delete all references to reincarnation from the teachings of Jesus the Christ in the Bible and in the doctrines of the Christian religion.

 

RELATED ARTICLES:

Rome, Amun, Egypt, switzerland, Tyre, Venice, black Nobility, Jesuits & More - http://abundanthope.net/pages/Political_Information_43/Rome-Amun-Egypt-switzerland-Tyre-Venice-black-Nobility-Jesuits-More.shtml

 

Publisher's comments:

http://www.larouchepub.com/eiw/public...
http://www.larouchepub.com/eiw/public...
http://translate.google.com/translate...

http://www.veneziatiamo.eu/chiesamadd...

The church of Santa Maria Maddalena has a circular rather unusual for Venice and for the time, with hemispherical dome cover, clearly inspired by the architecture of ancient Rome and in particular the Pantheon or the tomb of Cecilia Metella and is one the more 'known examples of Venetian neoclassical architecture. INSIDE and 'hexagonal, with 4 side chapels framed by arches and square presbytery. The etymology of the church "Maddalena", the period in which it was built (XIII sec.), The fact that in Venice there was an allocation of the Knights Templar, the circular shape (often used as architectural style of the Order), suggests to their intervention in the construction. Above the portal there and 'a lunette with bas-relief of Masonic symbols - the Templars, that says: "Sapientia aedificavit sibi domum". Pursuing this argument is how important and decisive regarding The patronage of the Knights Templar in this building, as the wisdom or Sophia 'was often associated with the Magdalene and the verses of the Book of the Prophets: Wisdom and' built house, she has set up her seven pillars. This church, along with several other traces left by the Knights Templar who traveled through here to coincide with the Fourth Crusade and leaving, according to a Venetian legend, a treasure island of San Giorgio in Alga. Other symbols related to the community 'Templar, are the walls of the Triple images engraved in a marble bench in front of the Scuola Grande di San Rocco, in another in the Basilica of San Marco, and a third on the top floor of the Fondaco dei Tedeschi

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